Revenue definition
What counts as a sold copy and the starting amount used to calculate each party’s share.
The model / Shared success
No upfront fees. Clear terms first.
Our compensation comes from an agreed revenue share on sold copies. The commercial details belong in a written agreement—not in fine print you discover later.
$0UPFRONT FILMTAKEOFF
PUBLISHING & MARKETING FEES
PUBLISHING & MARKETING FEES
Earn together
A share of
sold copies.
Instead of an upfront FilmTakeoff fee, the relationship is built around an agreed share of revenue from copies sold. That aligns our work with a film’s commercial opportunity.
The share is project-specific. No fixed percentage, guaranteed earnings or universal payout schedule is implied by this website.
Discuss your projectWhat the agreement should make clear
The details are
part of the deal.
Deductions & adjustments
How platform fees, taxes, refunds, chargebacks and permitted transaction-level deductions are treated.
License scope
Media, territories, languages, duration and any exclusive or non-exclusive permissions.
Reporting & payments
Statement contents, reporting periods, payment timing and any thresholds or adjustments.
Approvals & responsibilities
Who supplies materials, who approves presentation and pricing, and how changes are agreed.
Duration & exit
The term, renewal and termination provisions, plus treatment of existing licenses and unpaid amounts.
Your rights.
A defined license.
Keeping ownership and granting a release license are different decisions.
You retain your underlying rights. Any permission FilmTakeoff needs to publish, promote or distribute must be specified in the agreement. Tell us about existing licenses, collaborators and restrictions before scope is finalized.
Questions to ask before signingNext move / Yours
Let’s put your film
in motion.
Share a screener and tell us where you want to go.